The Gorgon released October 18, 1964

The Gorgon (1964)

The Gorgon (1964)

 

The Gorgon is a 1964 British horror film directed by Terence Fisher for Hammer.

Buy This Title on DVD

Buy This Title on DVD

It stars Peter Cushing, Christopher Lee, Barbara Shelley and Richard Pasco. The film was photographed by Michael Reeves, and designed by Bernard Robinson. For the score James Bernard combined a soprano with a little-known electronic instrument called the Novachord. The film marks one of the few occasions when Hammer turned to Greek mythology for inspiration; this time it is the legend of the Gorgon that is respun for the Hammer audiences.

Tagline:  A Monster With the Power to Turn Living Screaming Flesh Into Stone!

Trivia:

  • Prudence Hyman’s snake-filled wig was worked by five wires which were attached to a box that was about 25 feet behind her.
  • Although the UK cinema version was uncut some shots of the Gorgon’s decapitated head were slightly darkened by the BBFC.
  • Actress Barbara Shelley, who played the possessed heroine, Carla Hoffmann, wanted to play the part of the gorgon as well for continuity, and suggested to producer Anthony Nelson Keys that she use a special wig with live green garden snakes woven into it for a more realistic effect. Her idea was rejected by Keys due to budget and time considerations. When Keys saw the abysmal gorgon effects in the finished film, he told Shelley that he should have listened to her suggestion. As Christopher Lee quips, “The only thing wrong with “The Gorgon” is the gorgon!”
  • The name of the Gorgon character is “Megaera”, supposedly taken from mythology. But Megaera (“jealous”) in ancient myth is one of the three Erinyes, or Fates – the goddesses of revenge – not a Gorgon. According to Hesiod, the three Gorgons were Stheno, Euryale, and Medusa.
  • Prudence Hyman was nearly decapitated for real. She was supposed to duck when Lee swung the sword but forgot to do so at the critical moment. The assistant director pushed her aside just in time. The scene was then redone with a dummy.
  • Michael Goodliffe who plays Richard Pasco ‘s father in this film is only 12 years older than Pasco.
27 x 40 Movie Poster!

27 x 40 Movie Poster!

 

 

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Richard Thomas

Richard Thomas

Battle Beyond the Stars

is a Roger Corman-produced science fiction film, directed by Jimmy T. Murakami and released in 1980. The film is notable in that the screenplay was partly written by John Sayles, the score was by James Horner and the special effects were directed by James Cameron. Several of the effects shots were re-used for other films throughout the 1980s. An example of this can be seen during the movie theater fight scene at the end of Bachelor Party. Additionally the space ship models and effects were re-used in the film Space Raiders.

battle beyond the stars 1980

Tagline: A battle beyond time, beyond space.

[youtube=http://www.youtube.com/watch?v=ksJTPdNNQB4]

Seven mercenaries are recruited from throughout the galaxy to save a peaceful planet from the threat of an evil tyrant bent on dominating and enslaving the entire universe.

Robert Vaughn

Robert Vaughn

Trivia:

  • ‘Robert Vaughn (I)’ plays essentially the same character he played in The Magnificent Seven (1960).
  • The main character, Shad, hails from the planet Akir. The natives of Akir are known as the Akira. This is no doubt a tribute to legendary director Akira Kurosawa (whose film Shichinin no samurai (1954) served as the inspiration for this film).
  • Gelt is modeled closely after the character Lee from The Magnificent Seven (1960) (both of whom were played by Robert Vaughn) and some of Gelt’s dialogue is lifted almost verbatim from “The Magnificent Seven”.
  • Most of the model shots were reused Space Raiders (1983).
  • Sybil Danning

    Sybil Danning

  • Screenwriter John Sayles had originally envisioned the character of Cayman as a brooding dark humanoid, not the lizard alien seen in the final product.
  • This was Roger Corman’s most expensive feature up to that time, costing $2 million. Most of the budget was spent on salaries for Robert Vaughn and George Peppard, who both had high asking prices.
  • George Peppard

    George Peppard

  • The main body of the Hephastus space station was made from a plastic terrarium salvaged from a garbage dumpster
  • John Saxon

    John Saxon

  • Not only are the effects re-used in Space Raiders (1983), but the entire James Horner score is used as well.
  • Not one of Sador’s fighters manages to gain a kill during the movie. All of the hero’s vessels, which are destroyed, are destroyed by the flagship’s actions or sacrificed by the pilot.
  • Make Up Department
      Charles Balazs … hairdresser
      Sue Dolph … makeup artist
      Ken Horn … prosthetic assistant
      Karen Kubeck … assistant makeup artist
      Mike La Valley … prosthetic assistant
      Steve Neill … prosthetic makeup
      Cliff Raven … makeup artist: Quopeg’s tattoo
      Thom Shouse … prosthetic assistant
      Rick Stratton … prosthetic makeup

    27 x 40 Movie Poster

    27 x 40 Movie Poster

     

    Special Effects Departmentamazon-dvd-bestsellers
      Frank DeMarco … pyrotechnics
      Roger George … pyrotechnics
      Hal Miles … special effects technician (uncredited)

     

     

    Visual Effects Department
      Larry Albright … lighting pieces
      Ed Banks … gaffer: special photographic effects
      Stephen Barncard … effects lighting and props
      Chris Brightman … additional photography: special photographic effects
      Steve Caldwell … camera operator: special photographic effects
      Jim Cameron … additional director of photography: special photographic effects
      Jim Cameron … miniature design and construction
      Tom Campbell … additional photography: special photographic effects
      Tom Campbell … engineering: miniature design and construction
      Jo Carson … production manager: special photographic effects
      Brian Chin … miniature design and construction
      C. Comisky … producer/supervisor: special photographic effects
      John Cruz … effects lighting and props
      Chuck De Cola … effects lighting and props
      George D. Dodge … director of photography: special photographic effects
      Marcia Dripchak … optical effects supervisor
      Steve Elliott … rotoscope/animation/graphic effects
      Judith Evans … rotoscope/animation/graphic effects
      Michele Ferrone … production manager: special photographic effects
      Randall Frakes … additional photography: special photographic effects
      Deborah Gaydos … rotoscope/animation/graphic effects
      Alec Gillis … miniature design and construction
      Daniel Gross … rotoscope/animation/graphic effects
      Doug Hall … effects lighting and props
      Dr. Ken Jones … technical director: special photographic effects
      Robert Maine … additional photography: special photographic effects
      Austin McKinney … additional director of photography: special photographic effects
      René Meunier … optical lineup
      Joshua Morton … additional director of photography: special photographic effects
      John Muto … rotoscope/animation/graphic effects
      Eric Peterson … additional photography: special photographic effects
      Anthony Randel … editor: special photographic effects
      Jack Reed … effects lighting and props
      Peter Regla … optical consultant
      David Riley … additional photography: special photographic effects
      Maury Schallock … supervisor: model design and construction
      Dennis Skotak … director of photography: special photographic effects
      Dennis Skotak … miniature design and construction
      Robert Skotak … miniature design and construction
      Robert Skotak … special designs/effects creations
      Dan Slater … optical consultant
      Dan Smith … camera operator: special photographic effects
      Carolyn Strauss … additional photography: special photographic effects
      Pat Sweeney … additional photography: special photographic effects
      Jon Thaler … optical editorial
      Pat Thompson … miniature design and construction
      Melissa Tripp … assistant editor: special photographic effects
      Paul Turner … effects lighting supervisor
      Nina Vlahos … editor: special photographic effects
      Gary Wagner … additional photography: special photographic effects
      Susan Welsh … assistant editor: special photographic effects
      Barry Zetlin … rotoscope/animation/graphic effects
      Rob Maine … miniature process projection (uncredited)
      Mike Warren … optical effects (uncredited)

    Happy Birthday Edward Norton! August 18

     

     

    Edward Norton

    Edward Norton

     

     

     

     

     

     

    Edward Harrison Norton  (born August 18, 1969) is an American film actor, screenwriter and director. In 1996, his supporting role in the courtroom drama Primal Fear garnered him an Academy Award nomination for Best Actor in a Supporting Role. A year later, his lead role as a reformed white power skinhead in American History X earned him an Academy Award nomination for Best Actor. His other films include period dramas such as Kingdom of Heaven (2005), The Illusionist (2006), and The Painted Veil (2006); and other notable films such as Rounders (1998), Fight Club (1999), 25th Hour (2002), Red Dragon (2002), and The Incredible Hulk (2008).

    Aside from acting, Norton made his directorial debut with the film Keeping the Faith (2000) and is slated to direct the film adaptation of the novel Motherless Brooklyn, set to be released in 2010. He is a member of the board of trustees of Enterprise Community Partners, a non-profit organization for developing affordable housing, as well as a social activist.

    Trade Mark

    Known to play characters who have dual personalities.

    Often plays intelligent but troubled characters

     

    Trivia

    Following graduation, he worked in Osaka, Japan, consulting for his grandfather’s company, Enterprise Foundation, which works to create decent, affordable housing for low-income families.

    On his return to New York, it took less than two years of waiting tables before the young thespian to capture the eye of Edward Albee, one of the most celebrated playwrights of the 20th century. Albee was working with the Signature Theater Company on a new production of Fragments. One audition and Norton landed the role, as well as a slot in Signature’s repertory company. He currently serves on its board of directors.

    He played guitar with Courtney Love’s band Hole in two gigs in Los Angeles, in December 1998.

    In July 1998, after a New Yorker jibe in a review of a documentary about Courtney Love, Norton sent the magazine a frameable letter. Norton’s missive was in response to Endless Love, a piece by Daphne Merkin centering on Nick Broomfield’s controversial documentary Kurt & Courtney (1998). The film, filled with speculation that Love’s husband Kurt Cobain death was murder rather than suicide, features a litany of Love-haters anxious to air their grievances. The magazine’s coverage of Broomfield’s film “along with Merkin’s thoughtful contributions” didn’t sit well with Norton.

    When Norton met with the director for Primal Fear (1996), he told them that he, like Aaron, came from eastern Kentucky. Norton even spoke with the twang (which he prepared by watching Coal Miner’s Daughter (1980)).

    His character Aaron Stampler in Primal Fear (1996), which was based on a book, did not have a stutter, but when he auditioned he gave him one.

    Was one of the few celebrities invited to Brad Pitt and Jennifer Aniston’s Malibu wedding. [June 29, 2000]

    During filming, he and Fight Club (1999) co-star Brad Pitt took soap-making classes.

    Norton and Brad Pitt

    Norton and Brad Pitt

    He and Rounders (1998) co-star Matt Damon competed in the World Series of Poker at Las Vegas on May 1998 with the movie studio Miramax paying the $10,000 per person entrance fee.

    His character, Worm, in Rounders (1998) was originally supposed to smoke but being avid non-smoker, he refused and the part rewritten as a non-smoker.

    He worked as a waiter, a proofreader, and a director’s assistant to try to get his foot in the door in New York City. He applied to be a New York City cab driver, but he was rejected for the license because he didn’t meet the age requirement.

    Speaks some Japanese, which helped when he worked, briefly, for his grandfather’s company, The Enterprise Foundation. He was assigned to the Osaka, Japan branch until he quit the desk job grind at his grandfather’s suggestion and decided to try to break into acting in New York.

    Wilde Lake High School in Columbia, Maryland, where Edward graduated in 1987, built a new auditorium for the performing arts several years ago. He revisited his alma mater and gave a lecture on the day of the dedication. It is named after Edward’s grandfather, James Rouse.

    Received a B.A. in history from Yale in 1991, but took many theater and Japanese courses as an undergraduate. He has said in interviews that he took as many theater courses as he could without majoring in theater.

    The theme song for Keeping the Faith (2000) – “Heart of Mine” by Peter Salett – was not written specifically for the film. Salett is a good friend of Edward’s.

    According to Yale’s newspaper, he has wanted to play the poet Dylan Thomas for a long time, but feels he’s not physically right for the part.

    While a precocious 8-year-old actor, he asked a surprised director of a play, “What is my objective here?” The director was startled by his interest in acting.

    His babysitter, Betsy True, went on to perform as Cossette in a Broadway version of Les Miserables. She was the one who originally piqued Edward’s interest in acting, taking him to see his first play, If I Were A Princess, at age six.

    Auditioned for the role of ‘Rudy Baylor’ in the movie The Rainmaker (1997). The role eventually went to Matt Damon.

    Got the role for Fight Club (1999) because director David Fincher enjoyed his performance in The People vs. Larry Flynt (1996), which was the only film of the actor’s that he had seen.

    Dedicated his directoral debut, Keeping the Faith (2000), to his late mother, Robin.

    Brother of Molly Norton and James Norton.

    Turned down the role of Private Ryan in Saving Private Ryan (1998).

    Oldest of three children.

    Was considered for the role of Andy Kaufman in Man on the Moon (1999). Director Milos Forman could not decide between him and Jim Carrey and left the decision up to the studio. The studio decided to go with Carrey.

    His grandfather, James Rouse, is credited with being the inventor of the modern shopping mall.

    Lost several pounds for Fight Club (1999).

    Holds benefit screenings of his films mostly at The Senator Theatre in Baltimore, MD to benefit some charities that includes the Living Classroooms Foundation and the St. Frances Academy Robin Norton Scholarship Fund in honor of his late mother.

    Producers of American Psycho (2000) wanted him to play Patrick Bateman.

    Played The Captain in a VH1 Captain & Tenille Behind the Music skit on “Saturday Night Live” (1975) with Drew Barrymore. The show aired the night before the 1999 Oscars where he was a nominee for American History X (1998). Barrymore accompanied Edward to the Oscars.

    Has a tabby cat named Maggie, named after the character from Cat in a Hot Tin Roof.

    Dated Salma Hayek. [1999-2003]

    His grandfather, James Rouse, designed the planned community Norton was born in – Columbia, Maryland.

    Did NOT attend the famed Yale Drama School, as reported in many news paper articles. He attended Yale merely as an undergraduate.

    His father, Edward Norton Sr. was an attorney for president Jimmy Carter.

    As a response to the events of September 11th and the increasing conflict in the Middle East, he contributed to establish the Middle East Peacemakers Fund at Yale University.

    Norton already had two Oscar nominations before he was 30.

    College buddies with Ron Livingston at Yale.

    Was attached at one point to star in Hart’s War (2002) but walked away from the project and an $8 million salary. The role later went to Colin Farrell.

    Voted International Man of the Year (2003) By British GQ Magazine.

    Shares a birthday with Patrick Swayze, Denis Leary, Malcolm-Jamal Warner, Robert Redford and Christian Slater.

    He served as Artistic Director for the Signature Theatre Company in New York from 2001-2003. He is currently still on the board.

    American History-X

    American History-X

    Shaved his head and gained 30 pounds of muscle in 3 months by drinking protein shakes, meat shakes (blended roast beef), and lifting weights non-stop for his role as Dereck Vinyard in American History X (1998).

    Was born in Boston, Massachusetts and was raised in Columbia, Maryland.

    Was 33 years old when he played Will Graham in Red Dragon (2002). His predecessor, William Petersen, was also 33 years old when he played the same role in Manhunter (1986).

    He speaks Spanish.

    edward norton

    He treasures his private life and being able to live a normal life – and can’t imagine not being able to take the New York subway if he gets too famous.

    Stuart Blumberg, Edward’s friend from his Yale college days, wrote most of what was to become the basis for Keeping the Faith (2000). Edward starred, produced, and directed the romantic comedy, but he also assisted Stuart in writing the original story.

    Won a Village Voice Obie Award for his role in the off-Broadway show Burn This in 2003.

    Drew Barrymore accompanied him to the Oscar in 1999 where he was nominated for “Best Actor in a Leading Role”

    Did an uncredited rewrite of the script of Frida (2002).

    Credits legendary acting coach Terry Schreiber as being a major reason behind his success as an actor. The story was that Norton, who speaks Japanese, worked a deal with Schreiber to trade acting lessons for Norton teaching Schreiber Japanese. Schreiber was to direct a play in Japan at the time, and agreed to the deal. Norton studied with Schreiber for about three years in the early 90s in New York, and his career subsequently took off. Norton wrote the introduction to Schreiber’s 2005 acting text “Acting: Advanced Techniques for the Actor, Director, and Teacher.”

    Like fellow film actors Peter Sarsgaard and Jeanine Louise DeName, he studied at New York City’s famous T. Schreiber Studio.

    Is an active member of Friends of The High Line, a non-profit organization dedicated to the preservation and reuse of the High Line – a 1.5 mile elevated railway that runs along the West Side of Manhattan. Norton appears in a video made by Good Mag about the conversion of the old rail line into a multi-use trail.

    Speaks some French and said he really liked the work of Francois Truffaut, a French director.

    The Incredible Hulk

    The Incredible Hulk

    Turned down the role of Bruce Banner in Hulk (2003), but took the part in The Incredible Hulk (2008).

    Hulk and Tim Roth

    Hulk and Tim Roth

    Studied with renowned Hollywood Gun Coach Thell Reed, who taught other actors as: Brad Pitt, Val Kilmer, Leonardo DiCaprio, Russell Crowe, Ben Foster and Girard Swan.

    Says if he wasn’t an actor he would be a pilot.

    He was was going to play Terry Fitzgerald in Spawn (1997) but pulled out of the project.

    Auditioned for roles in With Honors (1994), Hackers (1995), and Up Close & Personal (1996) before his film debut in Primal Fear (1996).

    He often works out daily, mainly weight-lifting, before he’s on set.

    the incredible hulk

    Specializes in characters with multiple personalities, be it as a mental defect or a disguise. He has played people with several identities in Primal Fear (1996), Fight Club (1999), The Score (2001), The Incredible Hulk (2008) and arguably in American History X (1998) in which his character turns 180° during the course of the story and in Death to Smoochy (2002) in which he portrayed a professional actor and his character Smoochie the Rhino.

    Following graduation, Norton worked in Osaka, Japan, consulting for his grandfather’s company, Enterprise Foundation. He also appeared in an ESL textbook, Only in America, used by Nova, a major Japanese language school.

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